Monday, June 17, 2019
Tuesday, June 5, 2018
|From John Frankenheimer's Civil War docudrama "ANDERSONVILLE." A platoon of Georgia Civil War re-enactors|
I was reminded of a great photographic adventure in Georgia; photographing John Frankenheimer's Emmy winning, Civil War epic Andersonville; The story of the Union Army's notorious prison camp for Confederate soldiers. A challenging, period stylish project for my friend, legendary director John Frankenheimer; and commissioned by a creatively open minded Barbara Griffin, Director of Photography for TNT.
Everything was shot with Polaroid T55 pos/neg film to produce a Civil War era style photograph. The only possible camera had to be hand held because of all the action with horses and soldiers; that was when I became familiar with the Speed Grafix press camera, a 4x5" camera from the 1940s with range-finder focus. The Polaroid T55 was a pos/neg film developed by Ansel Adams and Dr. Land in the 1940s. This amazing film is no longer manufactured, causing much sadness to a distinct group of photographers. The negatives had to be pealed away and processed in a bucket immediately, on the spot. Producer Connie Conway kept our little photo train on track.
|Director John Frankenheimer - T55 Polaroid, silver gelatin print|
The pictures looked so authentically period. Subsequently two large public exhibitions of the photographs were presented, one at the Director's Guild in Hollywood and another at TNT in Atlanta.
|A Union company engaging - T55 Polaroid, silver gelatin print|
#photography #civilwar #Polaroid #film #Onassignment #fineartphotography #Branding #largeformat
Wednesday, May 30, 2018
|The glamorous Fortenoy Apts. beneath Whitley Heights overlooking Hollywood Blvd. mid-1920s|
|Angelino Heights, one of LA's earliest upper middle-class neighborhoods dating from the late 1800s|
Mid-Wilshire, K-Town and below is the final resting place for much of what remains of pre-WWII Los Angeles. Whole neighborhoods of the central city were abandoned after the war. Families bought new cars and headed the the Westside, purchasing acres of GI Bill funded Case Study style, smaller, modern nuclear family homes. Clean and lean; post war living was designed for mother, father and two children; no extra nooks and crannies for aunts, grandmothers and spinster sisters. The general population, modern home was designed to satisfy a massive housing shortage by building multiple units quickly at a reasonable price with the newest, labor saving construction materials like economical plywood, dry wall and plate glass.
Now traffic and prices are pulling everyone back to an earlier 1930s population footprint. This creates it's own push back challenges in Boyle Heights, Pico Union and other neighborhoods discarded years ago to immigrants and the help. On the grand urban history timeline the LA's contribution began a very short while ago. Unlike New York, or an ancient city such as Rome, we can almost reach back and touch LA's beginnings, a few four of five generations ago.
|Pacific Theater - Hollywood Blvd. from a T55 Polaroid negative ©1998 Jim McHugh|
The Pacific Theater, where the first "Talkie" debuted in Hollywood, was originally a Warner's theater. Looking closely one can see the old Warner's letters still remain on the inside of the tower. Economics perhaps, cheaper to add letters to the backside of the previous sign than
fabricating a new one.
Posted by Jim McHugh at 12:48 PM
Wednesday, October 18, 2017
DesignLA the Los Angeles Times new Sunday magazine, created by Michael Wollaeger, former managing editor of Architectural Digest. Michael possesses a great knowledge of architecture, interior design, the art community, and our shared endless curiosity about things LA.
|Built in the era of the streetcars - now across the street from where the buses sleep|
|Graffiti mural by my friends, RETNA and figurative artist Ricardo Estrada|
|Looking up towards downtown Los Angeles from Alameda, across Central Ave, from the old railroad produce yards|
|Massive buildings, millions of square feet - impossible to imagine until you are standing there|
|Young and happening, great energy - dogs to work.|
|Previously home to American Apparel|
|New shops, furniture, fashion and design. New media - game design, video companies|
Monday, May 29, 2017
The New Noir by Rodrigo Ribera D'Ebre - features Jim McHugh's work and collaborations with the renown LA artists Big Sleeps and Prime and the world of Graffiti art.
There is no city more noir than Los Angeles. We wrote the book on it and we shot the film. One such documentarian of this phenomenon is Jim McHugh, photographer of noir landscapes and renowned artists like Ed Ruscha, Robert Graham, and David Hockney. Currently, McHugh spends time photographing avant-garde artists of the underground. It is a dark world that intersects fine art, street gangs, graffiti, tattoos, murals, and urban street wear.
Two agents of change unfolding in this cinematic drama are David ‘Big Sleeps’ Cavazos and Jose ‘Prime’ Reza. Born and raised on the seedy streets of Pico Union near Downtown L.A.Their work is straight up Los Angeles – grimy, in-your-face, and unapologetic. Simultaneously, it is contemporary and stunning.
McHugh who maintains that, “Big Sleeps and Prime have been my passport to a whole other Los Angeles. A world of remarkable artists who have existed in a culturally separate parallel universe.”
Posted by Jim McHugh at 9:41 PM